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Re: باسخ‌به: Question 11 years, 11 months ago #4930

Dear Patrizia, we take him to the chest level for hitting and cutting to his eyes or under his nose with our fingers. It is not a throwing technique but, for the next move we have to bring our hands down to make a proper power and reaction to continue.
Last Edit: 11 years, 11 months ago by Mostafa Jalilzadeh.
The following user(s) said Thank You: Patrizia

Re: باسخ‌به: Question 11 years, 11 months ago #4931

  • Patrizia
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Ok I got it thank you!!
I never thought that we cut or hit with the fingers, I have always thought we did it with the side of the hand, more or less in the middle, and more toward the wrist!So this was another mistake. Thank you again!

Re: باسخ‌به: Question 11 years, 11 months ago #4936

  • Patrizia
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Dear Ostad Jalilzadeh,
first of all I want to apologize because I realized that the previous questions were not necessary, they were already perfectly explained, but I missed them in the mass of informations. My fault. I am sorry.

You explained the meaning of the kia "Hapkibato", saying that we want to put away the negative things around us, cleaning ourself of evil thoughts and evil people.
Has also "Hattoyo" a special meaning?
The following user(s) said Thank You: Jamshid

Re: باسخ‌به: Question 11 years, 11 months ago #4947

Dear Patrizia,
Hattoyo, is a combination of two words. "Hat" means to land and "Toyo" means to hammer. So "Hattoyo" means to hammer down.
For example, when we do a Yad Keyeto but, we don't want to bend the knee. We want to bring the leg after the kick straight down to block the opponent's counter attack. (we have lots of this type techniques in higher Mumaiys) Then we call that kick "Toyo Yad Keyeto" which means, it is going to hit the target and come down like a hammer.
The following user(s) said Thank You: Jamshid, Patrizia, frollani

Re: باسخ‌به: Question 11 years, 11 months ago #4948

  • Patrizia
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So we say "hattoyo" but the type of thecniques related with the kia are in the higher mumaiys. (For the little I know they should already be in Samsamaeh). Maybe we are saying the next techniques the we will learn, what comes next.

Thank you so much for the answer dear Ostad Jalilzadeh!

Re: باسخ‌به: Question 11 years, 11 months ago #4960

  • Patrizia
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Dear Ostad Jalilzadeh, excuse me! I noticed a movement in the last lesson that I missed!

After hitting osaya keyeto and double oratos, you turn to horeima rato and make the gado.
It seems you hit osaya keyeto and put the left leg forward where I would go if I was to make a regular rato, then you turn and slide the right food making a half circle and end in horeima rato. Am I right?
The movement is completely different in this way.
So I don't have to hit osaya keyeto and put directly the left foot at hour 12, but I must go to hour 10, turn and slide the right foot and then I go on horeima rato! Did I got it?

But I don't have to do the same thing on the other side, because I see that after the second osaya keyeto adn double orato the right leg goes directly to horeima rato, making a 180 degree turn. Correct?

Thank you!
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